Nonetheless, although the city pieces are effective in context, only “The City of Ruin” and the opening anthem “The Beginning Of Nightmare” are particularly memorable. “The City Without Hope” is also important in precluding the destruction of Raccoon City with its cold barren treble and looming aggressive bass. “The City of Ruin” is an especially evocative track for exploring Raccoon City’s uptown the dusky wails of ethnic woodwinds and chorus portrays the despair of Raccoon City’s residents as the bass line testifies their doom. It is an effective feature wherever it is used - whether as a brooding electronically distorted force (“Never Give Up the Escape”, “Abrupt Gunfire”), a croaking continuous bass line (“Nicholai’s Theme”, “Valediction”), or a sporadic reference within an otherwise established theme. One feature is a stern militaristic rhythm on five repeated notes exposed in the reflective opening narrative “Her Determination” and the early event theme “The Great Novelist”. How did the composers interpret the darker tone of the game? Was the extra material justified? Can this soundtrack really stand up next to its classic predecessor? BodyĪ sense of Raccoon City’s fate is portrayed in several ways during the soundtrack. Whereas the Resident Evil 2 Original Soundtrack was a one disc best soundtrack, the Resident Evil 3 Original Soundtrack is a two disc set documenting everything from the event, setting action, and bonus themes. Masami Ueda returned to lead the effort, assisted by short-term Capcom employee Saori Maeda.

As a result, its soundtrack was written to be much more morose and barren than its relatively motivating predecessor.

It featured gloomy settings, downtrodden protagonists, and unstoppable enemies before concluding with the nuclear downfall of Raccoon City. Resident Evil 3 was psychologically a much darker game to Resident Evil 2. Resident Evil 3 -Nemesis- Original Soundtrack

Resident evil 3 ost